AQUARIUM.. July-August 2015

CLICK photo = LARGE format + slide show...


AQUARIUM

Mariko Wada and Ole Vesterlund
Exhibition 1 July – 15 August 2015

See AQUARIUM – a window exhibition July 1-22.. when Summer closed.

Opening reception – Meet the artists..
Thursday 23 July at 16-19.00

Extravagant ceramic pieces caught in between minimal and overly decorated.

An inquiring installation into the meeting of Danish-Japanese minimalism and expressive decoration.
Mariko Wada and Ole Vesterlund challenge each other and the viewer in the exhibition AQUARIUM - a universe where the visitors are taken into deep water with regard to form and expression - the foreign.

The exhibition AQUARIUM is displayed so that everything can be seen in the gallery windows, while closed for Summer July 1-22.
- From the 23 July the viewer is invited in to look closely and move around in this particular universe of highly decorated pieces by the Japanese/Danish Mariko Wada and Danish Ole Vesterlund.


Wada and Vesterlund: "..Our exhibition concept is concerned with presenting extravagant pieces caught in the crossroads between minimal and overly decorated.
The exhibition consists of singular pieces that play against each other in the exhibition space, where the placing of the pieces creates a particular universe.
Inspiration for the project includes the Indian form and colour theme, characterized by highly decorative and expressive colour combinations that despite many compound expressions finds its own beauty, balance and extreme refinement.

We were both educated in Denmark and have followed a minimalist form and design tradition.
The challenge for us is to explore the distinctive decorative design in contemporary ceramics and focus on 'decorative forming', which are not particularly known to the Danish audience.
The viewer will experience our take on 'decorative ceramic form' in a contemporary context.
We have used a variety of ceramic materials and techniques.”
- WELCOME TO AQUARIUM! -

Ole Vesterlund (b. 1971) - www.olevesterlund.dk

Ole Vesterlund was educated at the Danish Design School 2008 - University of Copenhagen, History and Arabic 1994-96 - Exhibitions: Charlottenborg Spring Exhibition 2006 Råhuset - How queer everything is today and the Glasgow School of Art 2006 - Ceramics Museum Grimmerhus 2008 - Nordic Relations Award Residency Guldagergaard 2009 - Copenhagen Ceramics 'Orders' 2012 - Randers Art Association 'Ceramics of Diversity' Museum Jorn 2013 - Palais Ideal in 2014..


Mariko Wada (b. 1972) - www.marikowada.com

Mariko Wada was educated Kolding School of Design Ceramics 2006 - Doshisha University Kyoto Japan Aesthetics and Art Theory BA 1995 - Danish Arts and Crafts Award bronze medal and 56th Premio Faenza, 2nd price International Competition of Contemporary Ceramic Art, Italy 2009 - Awarded by the Danish Arts Foundation, exhibition, Meditations on a Hobby Horse w_ Group VERSUS 2012 - Artist in residence: Shigaraki Ceramic Cultural Park in Japan 2011, Sundaymorning@ekwc in the Netherlands 2015 - Grants from the Danish Arts Foundation, Annie & Otto Johs. Detlefs Foundation..


AQUARIUM - by Mariko Wada and Ole Vesterlund
"There is a tradition in Japan to prefer simple minimalist design, and it has also been in Denmark, according to functionalism in modern times became the main flow in architecture and design.

The pure form was considered to be the ideal and significant wherein the decorative was somewhat redundant and should preferably be avoided. But this view may be changed in the contemporary aesthetic understanding.
Mariko Wada had in 2011 a study tour in Japan, and experienced here that younger Japanese potters were preoccupied with the decorated object in a new way that was very unlike classical Japanese traditions - as there was a new wave at the time where young people had decoration as a recurring theme in their art. They expressed their unique individuality through almost excessive decorations. They seemed to create pieces for the purpose of decorating them, rather than applying decoration to the pieces that they had created. These pieces give a strong impression that the artists through their intimate relation to the material confirms a fundamental relationship between individuals and objects, which explores new approaches.
In 2013, Ole Vesterlund and Mariko Wada independently of each other travelled through India. Their discovery of Indian handicrafts and architecture made an impression, whitch both potters are fascinated and preoccupied with.
Indian in relation to Danish-Japanese design and crafts tradition is very foreign and quite distinctive. The Indian form and colour theme is characterized by highly decorative and expressive colour combinations that despite many mixed and compound expressions, finds its own beauty, balance and extreme refinement.
The ceramic pieces by Ole Vesterlund and Mariko Wada originate from a minimalism of form and design tradition.
Ole Vesterlund has in his ceramic work revolved around pieces where form, colour and expression have a decorative synthesis in the theme, and where refinement in expression is set against coarse, balanced and voluminous shapes.
Mariko Wada's ceramic work is about investigating the relationship between expression and sensation through forming, texture and spaciousness generated in different ceramic contexts.
Both ceramists find great challenges in exploring possibilities of expression in the decorative ceramic form of contemporary ceramics."


Ole Duedal Vesterlund
Born in 1971

EDUCATION
2002-2008 Danmarks Designskole
2006 Glasgow School of Art
1994-1996 Københavns Universitet, Historie og Arabisk

SELECTED EXHIBITIONS
2014 “Palais Ideal”, Museum Jorn, Silkeborg
2014 “Unik Keramik”, Køge Kunstforening, Køge
2014 “FormSprog TankeSpind”, Ann Linnemann studie galleri, København
2013 “Keramikkens Mangfoldighed”, Randers Kunstforening, Randers
2013 “1,2,3 Fire”, C4 PROJECTS, København
2012 ”Orders”, Copenhagen Ceramics, København
2011 ”Checking In”, Jantzens Hotel, Gudhjem
2011 ”Helt ude i Skoven”, Designer Zoo, København
2010 ”Clayspace Copenhagen”, Stedsspecifikt projekt, København
2010 ”Nordiske Realtioner”, Skælskør Bibliotek, Skælskør
2010 ”Award Nordic Relations”, Guldagergård
2009 ”Sketch”, Stilleben, København
2009 ”Pretty Pots”, Banko, København
2008 “Afgangsudstilling”, Grimmerhus, Middelfart
2008 “Afgangsudstilling”, Carlsberg; København
2006 “How queer everything is today”, Råhuset, København
2006 ”Forårsudstilling”, Charlottenborg, København

GRANTS AND AWARDS
Modtog i 2009 “Nordic Relations Award”, legatophold på Guldagergaard, Internationalt keramisk Center.
Fondation Idella, Ingeniør Kaptajn Aage Nielsens Familiefond, Det Reiersenske Fond, Grosserer L.F. Foghts Fond, Knud Højgaards fond

PUBLICATIONS
2013 Århus Stiftidende + Randers Amtsavis, oktober 2013 Alt for Damerne, juni 2012 DR 2 ”Smagsdommerne”, april 2010 Børsen d. 12-10 2010 Magasinet Cover, september 2006 www.kopenhagen.dk, july + september

LECTURES AND OTHER PROFESSIONAL EXPERIENCE
2011 Vestjyllands Højskole, “Keramik i en nutid praksis”
2011 Assistent. Skulptur i stor målestok, Bjørn Nørgaard, Guldagergård
2010 Assistent. Skulptur i stor målestok, Bente Skjøttgaard, Gråsten Landbrugsskole
INHABITANTS: Medlem af Inhabitants, en udstillingsgruppe bestående af seks keramikere der udstiller kontemporær keramik.


Mariko Wada
Born in 1972, Osaka, Japan - Danish resident since 1998

EDUCATION
2006 Afgang, Designskolen Kolding, Afdeling for keramik
1995 Doshisha University, Kyoto, Japan. Æstetik og kunstteori. BA.

SOLO EXHIBITIONS
2013 Hemmeligheder. Galleri Pagter, Kolding
2011 Grænseland. Danmarks Keramikmuseum, Middelfart
Room with a view. Institute of Ceramic Studies, Shigaraki Cultural Park, Japan
2009 Terra-Morphologia. Grønbechs Gaard. Bornholm
2008 Terra-Morphologia. Officinet, København
Sensitive You. Embassy of Japan, København
Sensuality and Ceramics. Kaolin, Stockholm, Sverige

SELECTED JURIED EXHIBITIONS
2009 European Prize for Applied Arts 2009. Mons, Belgien
9th International Biennal of Ceramics. Museu de Cerámica de Manises, Spanien
56th PREMIO FAENZA, International Competition of Contemporary Ceramic Art, Italien
Kunsthåndværkerprisen af 1879. Kunstindustrimuseet. København
2008 Taiwan Ceramics Biennale. Taipei County Yingge Ceramics Museum, Taiwan
2007 3rd Triennial of Trophy Cups. International ceramics exhibition, Kroatien
ICMEA Emerging Artists Competition. FuLe International Ceramic Art Museum, Kina
27th L’Alcora International Ceramic Competition. Ceramic Museum, Spanien
55th PREMIO FAENZA, International Competition of Contemporary Ceramic Art Italien
Kunstnernes Sommerudstilling. Tistrup

SELECTED GROUP EXHIBITIONS
2014 VERSUS – HUN. Officinet, København / Spanien 19C, Århus
VERSUS – Meditations on a Hobby Horse Vol. 3. Galleri Format, Bergen
Formsprog, tankespind. Ann Linnemann studie galleri, København
Til ingen verdens nytte? Officinet, København
2013 VERSUS - Meditations on a Hobby Horse Vol.2 Nicolai Kunst og Design, Kolding
Tangibility. Officinet, København
2012 Ny Nordisk Keramik. Vendsyssel Kunstmuseum, Hjørring
VERSUS - Meditations on a Hobby Horse. 68 Square Meters Art Space, København
2011 Ceramics Now! Parcours ceramique Carougeois. Carouge, Schweiz
Transform. Filmby, Aarhus
2010 På Tværs. NyTap, Ny Carlsberg, København
VERSUS, Nature Morte - Keramik som billede. Munkeruphus, Dronningmølle
Dansk Centralbibliotek for Sydslesvig, Flensburg, Tyskland
2009 Body House. Maison et Objet, Paris, Frankrig
2008 Danish Crafts Collection 12. ICFF, New York, USA / Maison et Objet, Paris
Ler 08. SAK Kunstbygning, Svendborg
2007 Network Europe. Turf gallery, England/ Museum of International Ceramic Art DK
Danish Crafts Collection 11, ICFF, New York, USA/ Ambiente, Frankfurt, Tyskland

AWARDS
2012 Statens Kunstfond. Udstilling Meditations on a Hobby Horse med gruppen VERSUS.
2009 56th. Premio Faenza, 2. præmie. International Competition of Contemporary Ceramic Art, Italien
Kunsthåndværkerprisen af 1879, bronze medalje

GRANTS
2014,13,12,10 Statens Kunstfond, arbejdslegat – 2011, 08 rejselegat - 2010,09 Danish Crafts
Jens Ejnar & Johanne Larsens Fond til støtte af unge bildende kunstnere
2012,11,10,09,08 Århus Kommunes Kulturudviklingspulje – 2007,08 Kunstnerstipendium
2011, 09, 08, 06 Danmarks Nationalbanks Jubilæumsfond af 1968
2011 Knud Højgaards Fond
2009 Annie & Otto Johs. Detlefs' Almennyttige Fond
2004 The Scandinavia – Japan Sasakawa Foundation
2003 Esther and Jep Finks Mindefond for Arkitektur og Kunsthåndværk

PUBLICATIONS
2014 Versus, Hun. Katalog
2012 Versus, Meditations on a Hobby Horse. Katalog
2011 Grænseland. Katalog
New Ceramics nr. 1/11 The universal language of clay. Artikel
2010 Versus, Nature Morte - Keramik som billede. Katalog/artikel
2009 Kunstuff nr. 23 Lerets universale sprog. Artikel
2009 9th International Ceramics Biennial of Manises. Katalog
56th Premio Faenza. International Competition of Contemporary Ceramic Art. Katalog
2008 Ler 08. Katalog
2007 27th. L'Alcora International Ceramic Competition. Katalog
55th. Premio Faenza. International Competition of Contemporary Ceramic Art. Katalog
2006 Project Network 2006. Katalog

WORKSHOPS
2014 Artist in residence. Sundaymorning@ekwc, Holland
2013 Skulptur/Installations workshop. Godsbanen, Aarhus
2012 Symposium. Scan Ceram, Hjørring
2011 Artist in residence. Shigaraki Ceramic Cultural Park, Shiga, Japan
2009 Symposium. International museum of ceramics in Faenza, Italien
2008 Workshop og studieseminar. Taipei County Yingge Ceramics Museum, Taiwan
2006 "Projekt Netværk" på International Ceramic Research Centre, Skælskør

WRITING ON THE WALL.. May-June 2015

CLICK photo = LARGE format + slide show.. Exhibition images..


WRITING ON THE WALL
Anne Fløche DK
Exhibition 7 may - 27 June 2015
Scattered phrases - 1100º Celsius - the World's geography and space.
Anne Fløche works with ways of relating to life and understanding of the world.
The pieces come out of her experiences, memories and the process itself.
She always works deeply personal and concentrates on a current basic idea, connects with the project and becomes one with the process of development.

ANNE FLØCHE "For this exhibition, I have worked with words and texts, phrasal-memories, fragmentary quotes from books, television, internet, newspapers..

- They are open statements that have been hanging in the air - simple, but enormously complex. - They are aesthetically beautiful words and sentences with significance, for example (translated from Danish): Continental Shelf/ Mariana Trench is the World's deepest point/ Space is full of time/ The sound of light sets ashore/ The Moon has power over the sea..

The language, in which I deliver things, is found in the material and process.
The considerations occur in a natural 'flow', that happens when everything goes well, and the choices of creation almost float by themselves - I 'switch off and take my head under my arm'."
The material is a subordinate instance that is familiarly based on years of experience, where the pieces almost happen by themselves, like when the hand knows its writing tool.
The subject revolves around geography, time and space.

Can the sentences be read without the materiality of the artworks or do the words, mood and physical form combine mysteriously into a linguistic universe - a new form of geographical sensuality?
Titles and words leap out in the study of the World as a spatial property, where the pieces reflect on the detached sentences and express an atmosphere, the words continue in their own ambiguity - and clarity.
The viewer is presented with an unusual view on World geography and space.
ELEVEN-HUNDRED DEGREES CELSIUS – Plates and stems fired at 1100ºC

Anne Fløche (b. 1952) was educated at the Jutland Art Academy DK 1973-78. She has exhibited several times in Denmark: Sophienholm, Design Museum Denmark, Trapholt Art Museum, Denmark's International Ceramic Museum.. and internationally at museums and galleries in Sweden, Germany, England, France, USA, China and SOFA/USA og COLLECT/London. In 2015 also at Hu Gallery, Nagoya, Japan.
PUBLIC COLLECTIONS Danish National Art Foundation, National Art Foundation Sweden, Design Museum Denmark, NY Carlsberg Foundation, Trapholt Art Museum, Denmark's International Ceramic Museum – Grimmerhus, Ulster Museum of Fine Arts, Sieg Collection – Pennsylvania, Scandinavian Embassy – Berlin..
AWARDS Ole Haslunds Arist Grant, Denmark's National Bank's Anniversary Fund, Danish National Art Foundation, Beckett-Foundation, Højgaard's Foundation..
RESIDENCY AWARDS Danish National Studios for Arts and Crafts- Gl.Dok Architecture Centre DK 2004,07, The Danish Institute in Damascus 2006, San Bao International Ceramics Centre - China 2009..


SELECTED TEXTS ABOUT ANNE FLØCKE www.annefloche.dk
ANNE FLØCHE by David Whiting - Exhibition at Galerie Besson, London 2000
"Anne Fløche's work has a particular quality of movement. Her pots, mainly big dishes, bowls and bottles, are beautifully drawn, a freely expressive hand seen in bold and broad definition of form, depth and texture of glaze and an economic brush.
These crawling pigments and lyrically abstracted motifs (such as coastal wading birds, fish and blossom trees) enrich the poetic charge of these pots and reveal a sensitive, gently humorous eye for the shapes and characters of the natural world.
Her inspiration is markedly Eastern, but these objects relate as well to the ceramic history of Northern Europe, the Mediterranean, Turkey and Morocco. The result though is highly individual, a pottery of floating images - breezy evocations of time and place."

ANNE FLØCHE - Ann Linnemann Gallery Solo Exhibition 2009
See the exhibition -> LINK

PAST AND MODERNITY
Kunstavisen - Exhibition, Danish Ceramic Art Museum 2008
In her works, which appear almost exhausted matte, dusty colours of ochre, grey, Italian-red and delicate-blue meet with black and white.
The rectangle and ellipse (and the cube, circle, square) are recurring figures.
The items are caskets, dishes, vessels, columns, tiles and edged bottles, all items that have been used for millennia. But her artistic use of those shapes is her very own. In many of the pieces appear symbols, lines and ornaments, also often scars and desired swath. Yes, some of her ceramic plates are characterized by fragments that were broken or ripped out of a larger whole.
Anne Fløche manages to unite the distant past with a striking modernity.
Quite wayward, wry and poignant telling the whole story. Both the large, old world chronicle, but also about life here and now and on meetings between known and unknown, it may take one up to a higher level. As she makes beautifully evident.

ANNE FLØCHE (b.1952)- BIOGRAPHY
Educated at The Jutland Art Academy 1973-78.

SELECTED EXHIBITIONS
Hu Gallery - Nagoya Japan 2015
Ann Linnemann Gallery (solo) - Copenhagen DK 2009,15
Lacoste Gallery - Boston USA 2014
Oxford Ceramics Gallery - England 2014
Nicolaj Art and Design - Kolding DK 2014
Galleri Pagter - Kolding DK 2005,14
Modern Masters - Munich Germany 2013
Galleri Profilen - Aarhus DK 2013
Galleri 5 - Funen DK 2012
Gunillaberg Sculpture Park - Sweden 2012
Anita Besson - La Borne France 2012
Johs. Larsen Museum – Kerteminde DK 2011
Galerie Besson - London UK 2000,10
Vestsjælland Ceramic Museum - Roskilde DK 2001,10
Sofa Chicago/ Snyderman galleries - Philadelphia USA 2009
Denmark's Museum of Ceramic Art (solo) DK 2008
Silkeborg Bath - DK 2007
Sophienholm Exhibition DK 2007
Collect Victoria & Albert Museum - London UK 2006
Gallery Kaolin (solo) - Stockholm Sweden 2006
Gallery Hilde Holstein - Bremen Germany 2006
Danish Culture Institute - Damascus 2006
Gallery Nørby (solo) - Copenhagen DK 2003,04,06
Carlin Gallery - Paris France 2005
Joanna Bird Gallery - London UK 2005
Galleri Åhuset - Køge DK 2005
Galerie Ortilles-Fourcat - Paris France 2002
Sigtuna Museum - Sweden 2001

PUBLIC COLLECTIONS AND OFFICIAL SALES
Danish National Art Foundation, Swedish National Art Foundation, Design Museum Denmark, Denmark's Museum of Ceramic Art - Grimmerhus, New Carlsberg, Trapholt Art Museum..
Ulster Museum of Fine Arts, Sieg Collection – Pennsylvania, Scandinavian Embassy – Berlin..

GRANTS AND AWARDS
Ole Haslund's Artist Award, Denmark's National Bank Anniversary Foundation, Danish National Art Foundation, Beckett-Foundation, Højgaard's Foundation..

RESIDENCY AWARDS ..ARTIST-IN-RESIDENCE
San Bao International Ceramic Centre, Jingdezchen China 2009 - Danish National Studios for Arts and Crafts, Gl.Dok Architecture Centre DK 2004,07 - Danish Culture Institute in Damaskus 2006..